HVNTER

20 products

collections/

  • Blonde figure exhaling smoke under green night light with heavy film grain

    most wanted

    vandal_ ~/collections/most-wanted/ # contents: the most wanted signal: bestselling assets, apparel, books,...

    most wanted

  • Sunset over the horizon in swirling rainbow interference, shot on a glitchwerks circuit-bent camera

    new arrivals

    vandal_ ~/collections/new-arrivals/ # contents: the newest signal: fresh assets, apparel, books, tools,...

    new arrivals

  • Three hooded figures in silhouette standing in a purple and orange haze

    threads

    vandal_ ~/collections/threads/# contents: subversive streetwear: oversized tees, printed uniforms, tactical textiles, wearable...

    threads

  • Black dripping smiley face painted on crumpled white paper

    design tools

    vandal_ ~/collections/binaries/design-tools/ # contents: foundational design assets: display fonts, icon systems, presets,...

    design tools

  • ACID distorted film textures pack in a clear DVD case

    video assets

    vandal_ ~/collections/binaries/video-assets/# contents: video editing assets: overlays, film textures, transitions, LUTs, and...

    video assets

  • Open art book spread with a dense abstract painting in blue, red and black

    signals

    vandal_ ~/collections/signals/ # contents: cultural source material: artist books, guides, manuals, printed...

    signals

View all

readme/

  • Our Disposable World - vandal_

    Our Disposable World

    A structural argument for commitment, accountability, and designing work that refuses to disappear.

    Our Disposable World

    A structural argument for commitment, accountability, and designing work that refuses to disappear.

  • Historic photograph of a man standing beside prehistoric rock art painted on a stone wall.

    Marking Space

    A look at marking space, authorship, permanence, and why vandalism has always been about presence—not destruction.

    Marking Space

    A look at marking space, authorship, permanence, and why vandalism has always been about presence—not destruction.

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